Forged: Why Fakes Are the Great Art of Our Age
All in all, Forged is a well-written, fascinating and quick read. It offers an intriguing historical overview, while allowing room for constructive thought. Newer Post Older Post Home. Jonathon Keats.
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Han van Meegeren, Art Forger: Forged. The Lacemaker.
Fake Vermeer by Han van Meegeren: Forged. The Supper at Emmaus by Han van Meegeren. Fake Vermeer: Forged.
PDF Forged: Why Fakes are the Great Art of Our Age by Keats, Jonathon (2013) Hardcover PDF Free
Drawing Forgery by Eric Hebborn: Forged. Elmyr de Hory: Artist and Faker: Forged. Forged Matisse by Elmyr de Hory: Forged. Clifford Irving by Elmyr de Hory: Forged. Orson Welles and Elmyr de Hory: Forged. And, beyond that, if you're trying to pillory the experts, you need to get your own facts right. Nor does failing to mention that scholars Lisa del Giocondo isn't the only candidate for the subject of the Mona Lisa. We're usefully reminded that concern about authenticity on the part of collectors and institutions is a fairly recent phenomenon, but the text becomes very muddled towards the end.
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Saved Searches Advanced Search. Browse Browse, collapsed Browse. By Audience Kids Teens. Average Rating:. Rate this:. According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present.
Forged Why Fakes are the Great Art of Our Age by Jonathon Keats Information
In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andreadel Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Goring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged"legitimate" art in their own time, breaching accepted practices and upsetting the status quo.
They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries - and our reactions to them - reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgerythrough such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again.
Forgery has been much discussed - and decried - as a crime.