Manual Film, Lacan and the Subject of Religion: A Psychoanalytic Approach to Religious Film Analysis

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Psychoanalytic Film Theory

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Film olagynulehyb.gq – Film, Lacan, and the Subject of Religion ()

Volume 18 , Issue 1 January Pages Related Information. Close Figure Viewer. Browse All Figures Return to Figure. Previous Figure Next Figure. Email or Customer ID. Forgot password? Old Password. More accurately, what I want is a more tolerant atmosphere for analysis. Film theorists have been far too elitist and dogmatic in the past, shutting as many of the doors to past theorizing as they could instead of throwing open every door possible so as to promote the most diversity attainable in the field.

By way of an introduction, Nolan discusses his initiation into the respective worlds of religion and cinema.

Slavoj Žižek

While acknowledging, respecting, and following in the footsteps of the scholarly rigor displayed by Screen theorists, all the same, Nolan believes there were some key misinterpretations of Lacan resultant from the dominance of Althusserian Marxism in the s theoretical zeitgeist. Steve Nolan is an experienced film critic and theorist as well as a full-time chaplain at The Princess Alice Hospice in the United Kingdom. He has authored a multitude of journal articles and book chapters on issues related to film theory, theology, and the connections between film and religion.


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