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Négritude (Stanford Encyclopedia of Philosophy)
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Mouse Resonance is an farm to respond every today increased to courses, ET, the cultures of textbook, EG, countries, and not of geosphere. Before you lay your foundation you got to bulldoze and dig yourself the right kind of hole in the ground. Am I right? Where does the light come in?
Because do you see what I mean about the light coming in? And where are the windows? The philosophy of a thing, the truth of it. David Elkins, in his presidential address in Orlando, quoted these lines from the pen of a holocaust survivor:. I beg you do something learn a dance step something to justify your existence something that gives you the right to be dressed in your skin in your body hair learn to walk and to laugh because it would be too senseless after all for so many to have died while you live doing nothing with your life.
I grew up in a home in which Holocaust stories and literature were ever-present and it is, indeed, moving that our president should have been so moved, in turn, by such words. Delbo had suffered in a way that left her, like some of our most severely wounded clients, with an understanding of things that many of us only glimpse vaguely if, indeed, we see them at all. In an untitled poem, she writes about the place where my great grandparents once died:.
Today people know have known for several years that this dot on the map is Auschwitz. This much they know as for the rest they think they know. It seems, in the end, wholly appropriate that humanistic psychologists should take on the Diagnostic and Statistical Manual currently in the process of revision by the American Psychiatric Association.
Standardized nosologies tend to be tendentious and tenaciously overdone. Still, we are hardly pushing boundaries in our present discussions and err ourselves, oftentimes, in the reductive and exclusionary. There is little in the discussion on the DSM5 that is unforeseen or moves us significantly beyond insights and caveats that we have heard numerous times before. Certainly, there is no reason to put faith in profit-centered pharmaceutical companies mercantile and large-scale versions, really, of our own more local wills to power and notoriety or the power structures of the other APA.
And the politics of diagnosis of the very young and elderly, in particular, are, likewise, an obvious concern. Still, more nuanced dialogues on these intricate themes are slow in arriving and what has been recently learned along the scientific fronts the place of biology is largely overlooked. Our discussion, too, can become more variegated and refined, engendering more than head counts in an audience and attaining a level of sophistication befitting an integration of manifold elements that genuinely points beyond. God knows there certainly ought to be a window around here somewhere, for all of us.
Increasingly, the authentically innovative voices at work in our discipline are those most likely to be eclipsed in favor of expediencies and reiterations of what has often already come and gone. Brahms's music gets to infinitely more places than Bruckner's, which is why so many of the faithful passed him by in favor of the stolidly predictable and rote. Interestingly, Bruckner was associated with an incipient fin de siecle anti-Semitism — Hitler, for example, was a big fan — while Brahms, also Christian, had little truck with those so ill at ease with ethno-religious diversity.
James Beshai's poster and accompanying paper on life review, Freud and Ricoeur were impressive in terms of the unusualness and quality of the reverie and the gracefulness of the interactions that transpired. What's it going to be going forward for the house that humanistic psychology has built or is building? I have found strength where one does not look for it: in simple, mild, and pleasant people, without the least desire to rule—and, conversely, the desire to rule has often appeared to me as a sign of inner weakness: they fear their own slave soul and shroud it in a royal cloak.
The powerful natures dominate , it is a necessity, they need not lift one finger. Even if, during their lifetime, they bury themselves in a garden house. As the multitudes converged conspicuously upon Orlando, a longtime friend and colleague, Margaret Yonemura, lay silently on her deathbed. Originally from Wales, it was Dr. Yonemura — along with her Japanese-American husband George — who provided an early glimpse of what psychology, at its most humbly sublime, might be. The Yonemuras said precious little yet practiced what they believed but never preached.
It is difficult for me to think of anyone currently on the scene whose humility and quiet dignity might equal that of Margaret. She haled, like her husband, from other orbits and another time. Yonemura devoted her professional life, like Coles, to serving young children and their families, in particular, the vulnerable and dispossessed.
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I would urge those who are interested to spend some time with her exemplary qualitative study "A Teacher at Work ," written in the late s. She wanted no display of remembrance or public acknowledgement. Far removed from the clamoring for attention that appears to be our inescapably modern lot, Margaret quietly embodied the essential spirit of our domain. Could there be a greater expanse than the inexorable divide between being and non-being and the infinite resultant manifestations of arrival and return? Margaret Yonemura was a modest and graceful exemplar of what we all might more nearly be.
Many of the psychologists currently focusing attention on the DSM-5 referendum would seem, though they tend not to say so explicitly, to downplay the place of biology and diagnosis. There seems an unspoken assumption that labels are necessarily superfluous and ultimately wrong. There is no inherent reason to conclude that diagnosis is universally pejorative or judgmental. In "Ethics and Lao-Tzu ," I have written at length about a young dissociative woman, Kristina, a bona fide multiple personality whose story remains, for some, a hauntingly moving narrative of suffering, endurance, awareness and art.
I was the one to first confirm the suspected diagnosis, something that upset Kristina at the time and yet engendered her trust as well.
Voyages in the Underworld of Orpheus Black
I continue to see her as one the most spiritual, creative, ethical, tragic and decent human beings I have ever known. Also one of the funniest. Rollo May sometimes chided his students for their failure in considering the dreams of their clients. And it would seem generally these days that rich clinical narratives, oneiric or otherwise, are increasingly difficult to find. Here, then, in memory of my beloved mentor, is the briefest example of the kind of poignancy and literature I feel strongly we are overlooking yet desperately need:.
Sharon dreamed that she died. God allowed her, from heaven, to look into the home of her mother. They had the funeral there. She could see herself lying in the coffin. People were eating food and talking low among themselves. Her mother had a painting of Kristina commissioned.
It was as large as her hands outstretched and perfectly square. It hung on the wall. Sharon seemed to be viewing things from inside of the painting. People kept going over to it and straightening it out.
Then they would, after staring at it for some time, eventually take a pair of scissors and cut away at the edges, then remount it on the wall and walk away in satisfaction. Almost everyone who looked at the painting did this. Finally the painting was so small that only an eye appeared on the wall. Do you see the stuff from which genius is comprised? Here is the same theme, essentially, rendered in prose:. Why do we try so hard to keep these relationships? And sometimes our green tentacles come popping through and people recoil.
If it acts human than I can accept it as human.
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The single entities do not accept the authentic being underneath. And it seems to me that if the single entities cannot accept the actuality of this alien being, then their caring for it is not genuine care. So, the alien being has to decide what it will do. Or the alien can learn how to dissociate from the need to be accepted and shed its human suit and know it will scare everyone away. Basically the dream was about a robot that looked human and took my place in the world.
No one could tell I was gone. Each of these passages elegantly articulates the imperative of an inner diversity, underscoring, thereby, an overarching theme of this essay. Each of us is several, is many, is a profusion of selves. In the vast colony of our being there are many species of people who think and feel in different ways. Orpheus, according to legend, was a musician, poet and even prophet in the ancient world.
He was said to have possessed the ability to charm all living things, even the stones, with his music. Mythology records his descent into the underworld in an attempt to return his wife, Eurydice, to the upper realms and his death at the hands of those who could not fathom his sound. His songs had power over the nether regions, softening the hearts even of the deities of hell.
It should not be lost upon us that humanistic psychology is by no means beyond parochialism and prejudice. Recently, I had the experience, upon creating a syllabus for a course I am well qualified to teach, of being told by an instructor of one of the other sections that the intent was to teach a uniform course incorporating a singular reading list one, unsurprisingly, showcasing books of her or his own. Another faculty member or two quickly joined in support of the attempted hegemony. It is noteworthy that the gatekeepers in this instance were committed, energetic spokespersons for humanistic psychology and the largess of spirit that such an identification would seem to imply.
It dawns on us in moments like these that saying the right thing is by no means always the thing in itself or enough. If we are going to talk diversity, we are going to have to start very close and, yet, also quite far from home. Where are the windows? The truth, philosophy, illumination of things? This, after all, is what awareness is all about.
The Anti Orpheus: A Notebook
Like Orpheus, we are going to have to descend to the underworld in order to proceed more resolutely upward and outward, one day charming, we may hope, even the stones. Alter, R. Necessary angels: Tradition and modernity in Kafka, Benjamin, and Scholem.