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We have a triple feature this week, as we dive into the new hurricane horror predator flick Crawl from director Alexandre Aja, the new R-rated buddy action comedy Stuber starring Kumail Nanjiani and Dave Bautista, and the dark indie comedy The Art of Self-Defense starring Jesse Eisenberg. We start with a spoiler-free overview of our thoughts, then we dive into spoiler-filled deep dive of the film. The time has come yet again for a new release to be completely steamrolled at the box office by an installment of the Marvel Cinematic Universe — and shamefully so, if you ask me.

The children are our future.

Kermode Uncut: The Film That Changed My Life

So how do they perceive our past? The result is an amusing, revealing, often bizarre and surprisingly touching […]. Do we believe in Yesterday?

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Special guest Kimber Myers joins the show to discuss the latest film from director Danny Boyle and screenwriter Richard Curtis, which explores a world where the Beatles never existed, and the one person who remembers them tries to pass their legendary music off as his own. I recently spoke with Gary Dauberman, writer and director of the new horror film Anabelle Comes Home, which hits theaters later this week.

Dauberman was also the screenwriter for the first Annabelle in , along with Annabelle: Creation and The Nun. He co-wrote It from and is the executive producer and co-writer for Swamp Thing, a new DC Comics series on streaming. Special guest Charlie Ridgely ComicBook. We discuss our thoughts and feelings on the overall series, plus we kick off the episode with some discussion about our favorite films of the year so far.

When it came to selecting the Movie of the Week, there was no clearer choice than George A. The mythology it established all those years ago continues to be the standard for almost every other zombie movie, TV show, or other medium in the genre to come out since. Suit up. Jon and Will are back in black to discuss Men in Black: International, the fourth film in the franchise, now starring Chris Hemsworth and Tessa Thompson as the memory-wiping, alien-saving agents. They also discuss the lackluster summer box office in and how this may affect theatrical releases in the future.

The Toy Story movies have always been filled with lots of toys, and rightfully so. But every film so far has mostly played around with the character of Woody the cowboy doll. His story has progressed both positively and negatively to some extent over the years, from his fear of being replaced in the first […].

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Have you tried…not being a Cinemaholic? And to make matters more confused, we still have another one of these ancillary films, New Mutants, delayed to next spring for an unrelated and likely inconsequential misadventure. For now, Dark Phoenix effectively closes the book on a story that already has two, maybe three endings as it is. Where there once stood the pillar of the white, male gaze in literature, Toni Morrison exchanged her chisel for a sledgehammer and there, knocked it down.

The author, editor, and icon has amassed a following worthy of her extraordinary verve. She is a Nobel Peace Prize winner in literature and, will have you know, she makes the best carrot cake you will ever have. What should you watch? What are the streaming overlords recommending? Mind-boggling algorithms aside, there are sometimes those movies that just pop up out of nowhere fine, not out of nowhere exactly, I just went through the algorithm process.

Do you trust us? We also discuss The Perfection, a new Netflix film you have to hear to believe, and Brightburn, a super-hero-horror flick that will probably make you […]. What we know of Ophelia has only been communicated by men. Shakespeare wrote her, Hamlet showed her disdain, and our high school English teachers misjudged her actions for hysteria.

She is a tragic character worth revisiting, and worth further examination. Her story, though thought to be mostly miserable, has earned a more hopeful iteration. Every teen generation tends to get defined by the media they consume and how they consume it. Sure, not everyone can relate with the exact feeling a single song from the 70s can invoke when played in a film like Dazed and Confused, or perhaps what an early s pop culture reference might inform in Superbad. But in Booksmart, the tradition of expanding relatability beyond the constraints and memories of a given era continues in this lovingly ambitious feature debut from actor-turned-filmmaker Olivia Wilde.

We discuss what we liked and disliked, what surprised us, and how the legacy of Game of Thrones may shape pop culture for winters to come. On the surface, it looks like your typical, generic B-movie action thriller. It features a recognizable actor who was out of the limelight at the time, and to some, past his prime. In this case, that actor was Keanu Reeves, and this revenge tale looked like any other generic action romp, the likes of which you typically find crowded in those recognizable movie machines outside of Wal-Mart.

Despite a lot of buzz surrounding this neo-noir thriller after premiering last year at Cannes Film Festival, A24 has only recently unleashed the mystery upon us hopeful cinemaholics. Is that for good reason? Dive in and find out!


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John Ronald Reuel J. A stylish film noir? A diversely casted Zootopia narrative?

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Dozens of CG monsters to adore and collect? The Ryan Reynolds brand of comedy under a PG rating? Filmmakers generally build their stories around proven formulas. Either intentionally or not, most movies you see at your local theater follow a predictable series of set ups and payoffs. Special guest Abby Olcese joins us as we cast our ballots for Long Shot, a brand new political romantic comedy starring Charlize Theron and Seth Rogen. School is out but the party is just getting started.

For reasons that may be obvious, critically analyzing a film intended for children can be a difficult task. There may certainly be some truth to that sentiment, given that children and adults consume art very differently, but one of our responsibilities as critics is to thoroughly clarify how disparate age groups might react to a film, especially one made for kids to enjoy.

Men who may have written moving words, but did so using the backs of women, people of color, and disenfranchised groups as the desk to write upon. Afterward, all of our spoiler hesitations disappear with a snap, and we have special guests Alisha Grauso and Matt Donato on deck to help us process basically everything this saga by Marvel has been building up to for over a decade.

Avengers: Endgame marks the end of the Marvel Cinematic Universe as we know it. Regardless, there are 22 films in this sprawling quilt of franchises, and not all of them are made equal. In this bonus episode of Cinemaholics, I spend a grueling two hours with Sam Noland collaborating and debating a definitive ranking we can both put our names on. The set up and payoff structure of the Marvel films beginning with Iron Man in may never be fully realized.

These stories will continue on for as long as audiences continue to be fans of the material, so any definitive ending for a saga of episodic films requires a conclusion to at least one prominent idea, not necessarily an entire world of characters and their respective potential as branched franchises. This is why Avengers: Endgame is a film deftly committed to playing out the first and last revelation of such a film series. Tony Stark is Iron Man.

Everything else in Endgame is secondary, including its villain. For more than thirty years, however, Cruz has appeared on screens both big and small, providing memorable and distinctive turns in a variety of projects. Premiering in theaters and IMAX screens around the world starting tonight, his role in The Conjuring spin-off film is literally and physically among his most gigantic to date, particularly if you see him on the foot screen. Released through Warner Bros. The story is based on the Mexican folklore of La Llorona, also known as The Weeping Woman, and follows Anna Cardellini , a widowed mother of two in s Los Angeles, who must protect her children from the supernatural entity in question Marisol Ramirez.

Merriam-Webster Dictionary should be on the lookout. But above all other terms, there is one that shames them all. Over the course of the season, they each engage in various romantic and sexual exploits with their coworkers and are suddenly forced to reckon with the frustrations and uncertainties that arise when it comes to adult relationships. Either fittingly or ironically, this long-in-the-works passion project centered in part around the literary icon is one that has often alluded the Brazil director.

For the past 30 years, Gilliam has tried — with only fleeting success — to bring this mischievous fable to the big screen. Despite every intention and aspiration to make it a reality, Don Quixote yet remained a fantasy. We also bury our feelings to discuss Pet Sematary, a new horror remake of the 80s Stephen King adaptation. It happened quite often back when I started to really dive into cinema; it was only , but it seems like a thousand years ago, and I remember everything I watched seeming so unique and tantalizing at the time. Naturally, the frequency of this sensation started to die out as my knowledge grew, and it slowly began to take a lot more for a movie to truly knock my socks off.

Robin Bissell has produced, though not frequently, films of varying quality over the years, primarily under director Gary Ross. The inmates are running the asylum this week as Jon is absent for mysterious reasons and Will takes over the show to ramble about Danny DeVito, Sad Clowns, and his enemy list with special guest Cory Woodroof!

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Later in the show, Will is high on his own supply — i. Joining us is Sam Noland, our Movie of the Week columnist. In this discussion, we cover the background and legacy of the film, which stars Marilyn Monroe, Jack Lemmon, and Tony Curtis. Afterward, we dive into the plot of the film with clips and our own double entendres. But I still find it ceaselessly grating. It looks nice? A squeaky-clean disposition? Positive vibes? Good morals? Originating from the German Expressionist movement of the early 20th century, film noir is a corner of cinema often reduced to a shallow microcosm of its time period.


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  • Unlike those entries into the ever-growing mythology of live-action gods and heroes, this new film from oft-horror director David F. In the light of day, the American prairie is an open and endless field of grass. Landscapes of the Old West stretch on for miles, and the golden plains evoke a warm, welcoming feeling.

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    But at night, the howling wind creeps in through the windows. Candles flicker and the once open country becomes a claustrophobic nightmare, where nature speaks and shrieks. This is the visage first-time director Emma Tammi captures in The Wind, a psychological western-horror hybrid with haunting elements that work separately, but never coalesce into something truly frightening. Plus, we kick off the episode with a brief review of Yardie, the first feature film directed by Idris Elba. There are many times in life — perhaps especially, as a critic — when you have to admit that you were wrong.

    And nobody knows what an infield-fly rule is in Europe. But everybody understands two guys in their underwear trying to knock each other out. And every country in the world has boxing. That international revenue is the difference between a modest hit and one big enough to drive the genre for another decade or two. But if all you ever saw were the commercials for the movie, you might not have known about the boxing half of that equation. They probably feel boxing polarizes people, either you love it or you hate it, and they chose not to market the movie using boxing.

    If not for Stallone writing Rocky , half the boxing movies of the last 30 years probably never would have been made. And that might just include The Fighter. The success of the Rocky franchise will probably never be duplicated. But it probably was the appropriate choice to make. But they trusted that it was a fairy tale. And I mean that non-critically. When Shelton filmed his fight scenes with Banderas and Harrelson, he based them on reality. However, he used a very heightened reality to make sure they were exciting.

    You also may recall that Ali was a piece of garbage.